dmitri zurita
find me
  • home
  • about / cv
  • languageworks
  • ejercicios para aprender espaƱol
  • relational experiments around a dinner table
  • cutouts: rethinking american iconomy
  • four doors
  • the zonkey series
  • multum in parvo / microgestures
  • how to divide an ocean between neighbors
  • bullfights: misdirection and metaphor
  • parts
  • food
  • phantoms
  • erasing hopper paintings
  • surplus
  • metaphotography
  • mixed media
    • washed out
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famous boxers / what's really going on here? coated archival inkjet print, 44 inches by 44 inches, 2012
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Standing/Tanks, 2013 Coated Archival Inkjet Print, 44 inches by 65 inches
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Southern Trees Bear Strange Fruits; Pastoral Scene of the Gallant South
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Soldiers/Flags, 2013 Coated Archival Inkjet Print, 44 inches by 55 inches
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Man on the Moon, 2013 Coated Archival Inkjet Print
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Executing Georges Blind, french resistance member smiling at a nazi firing squad in 1944
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i am a man; i am what i say i am
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Napalm Girl / How memory changes images, 2013 Coated Archival Inkjet Print, 44 inches by 65 inches
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Reaching Out, after Larry Burrows
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Cutouts are generally produced through transnational exchanges that take place in social media and virtual-labor marketplaces in which each individual receives fair payment without taxation. Employing self-empowered artists post-nationally, these large-scale photographs challenge the curated image by re-contextualizing iconic photographs and displacing signifiers.

This body of work is the product of processing and responding to contemporaneity, positioning my process as gesture and performance; each purposeful action allowing for chance and ambiguity.































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